How Many Episodes Of Love Death And Robots Isnt Animated

Breaking downwardly Honey, Death & Robots season 3 by the amounts of dear, decease, and robots

Mecha grizzly bears, mini zombies, and flesh-eating crabs, oh my!

By May 20, 2022, 3:00pm EDT

Image: Netflix

Tim Miller and David Fincher's edgy developed blithe anthology Honey, Death & Robots is back with volume 3, baby! Season i of the series actually pushes the graphic nudity and farthermost violence with eighteen shorts that are pretty dang long. Season 2, by contrast, is punchier and sharper, trading in gratuitous tiddies in favor of more poignant storytelling.

Season 3 follows in the footsteps of season two, keeping the individual shorts shorter and snappier. There are more guts and gore than in flavour 2, though without the excessive sexual violence from season ane. We love to encounter it!

True to past Polygon tradition, we've broken downward each of this flavor'south nine shorts by the amount of love, expiry, and robots they contain, as well as the general enjoyment factor.

"Three Robots: Get out Strategies"

Image: Netflix

The offset direct sequel in Love, Death & Robots history — from the mind of acclaimed sci-fi novelist John Scalzi. The titular trio of droll droids render to take a cyclone tour studying mail-apocalyptic human survival strategies before mankind was finally snuffed out.

Love: One time once more, these iii robots are buddies who certainly share strong ideal beloved.

Death: Various human corpses the robots find in increasingly compromising positions. Information technology'southward pretty morbid, but also very funny. The fall of mankind is actually comedic.

Robots: Correct there in the title.

Does it piece of work? Because the joke behind the robots' vacation is the same every bit it was in flavor i, the jokes in this "Three Robots" sequel aren't as funny as they were the commencement fourth dimension. Only it's nevertheless oddly charming to see the robots tour the dilapidated remains of human civilization, making pointed jokes about how tech billionaires idea they could survive the apocalypse without whatever survival skills. The kicker at the end of this one is basically the same as the one in the first curt, just somehow more hilarious.

"Bad Travelling"

Image: Netflix

A shark-hunting sailing vessel is attacked by a giant crustacean whose size and intelligence is matched merely past its appetite. Wildcat, expose, and ventriloquism with a corpse… welcome aboard the animation directing debut of David Fincher.

Love: There isn't much beloved amongst crewmates — certainly the human being who proclaims himself leader doesn't agree with his coiffure's moral decisions. But the crustacean fauna apparently loves man flesh.

Death: Loads! Gotta proceed the creature fed, later all. The body count in this 1 is barbarous, though a lot of the actual mankind-eating happens off screen.

Robots: None at all! This short definitely leans on Historic period of Sail technology, even though information technology takes place on a distant planet. It's by and large wheels, rigging, and sails instead of smart AI.

Does it work? Keeping the story contained on the ship adds to the heightened suspense and suspicion. Who's an ally and who's an enemy? Who would rather unleash the fauna onto thousands of innocent civilians, and who would sacrifice themselves to relieve those people? It'due south tense and eerie, leading to a satisfying decision.

Actually, it'due south almost like Among Us, if Among Us took place on a pirate ship on a distant planet and also involved a human-devouring crab monster.

"The Very Pulse of the Machine"

Image: Netflix

When an exploratory expedition on the surface of the moon Io ends in disaster, an astronaut must trek to safety, dragging the body of her co-pilot, while using potentially mind-warping drugs to bargain with the pain of her own injuries in this trippy tribute to comic book fable Moebius.

Love: In that location is some sense of camaraderie between the principal character, Martha, and her co-pilot at the very showtime of the short, but nosotros don't actually know what their human relationship is like outside of work. And so the co-pilot dies, so we don't ever learn more.

Death: In the starting time moments, a disastrous accident leaves Martha every bit the simply survivor. She drags her co-pilot'southward trunk along with her in society to utilise their oxygen supply as she treks across Io trying to contact their superiors. Does she make it? That's upwardly for debate.

Robots: Kinda? There's something out there on the arid moon that could be some sort of machine. Or it could be Martha hallucinating.

Does it piece of work? "The Very Pulse of the Machine" is gorgeous and evocative. More than so than nigh of the other shorts, this i really leans into its medium. As Martha treks across Io's wasteland, she begins to run into the landscape shift around her, rendering itself in spectacular colors and shapes. She keeps hearing her lost co-pilot's phonation reciting verse to her, which imbues even more mystery into Martha's situation. It's a story of survival, one that builds upward to a deliciously ambiguous ending.

"Night of the Mini Expressionless"

Image: Netflix

The apocalypse is conceived — literally — in a graveyard in this biting zombie satire, which starts with some cheeky cemetery sex and accelerates into a walking dead invasion of everywhere — from downtown LA to the Vatican. It'southward the end of the globe as nosotros champ it.

Love: Equally described, this short starts off with a sex scene. You can't really see annihilation, since the figures are shown in miniature, but y'all do hear some really loud moaning and groaning, which feels especially outsized compared to the tiny size of the characters.

Expiry: The zombies murder millions of people, so bank check that box! But the victims do turn into zombies, and so maybe it's more than like Love, Undeath & Robots in this case?

Robots: Nope. It'southward zombie time.

Does it piece of work? It's quirky and funny, though it is basically the plot of almost zombie movies — just in a very chop-chop condensed time frame with a bird's-eye view of information technology all. A fun, quick bite, but not super substantial.

"Impale Squad Kill"

Paradigm: Netflix

Young, dumb and full of… claret, lots and lots of blood, a 'roid-raging, adrenaline-fueled force of The states soldiers faces a foe unlike any they have faced before, the consequence of a CIA experiment that gets really fucking Grizzly. From the manager of Kung Fu Panda 2.

Love: In that location is certainly something like beloved between the team, though they show information technology by mercilessly making fun of each other.

Death: A whole lotta really gory decease! The Special Ops team discovers that the platoon they're supposed to meet up with has been literally ripped to shreds, and information technology only gets more dire from in that location. It'south and then over-the-summit in terms of guts and gore that it wraps back effectually to existence hilarious.

Robots: The threat they confront is a cybernetic grizzly bear, only they likewise team up with a cute li'l robot pal.

Does it piece of work? "Kill Squad Kill" opens with a shot of someone taking a piss off a cliff top and leaking all over the camera. If you don't detect that funny, y'all probably won't relish this short. However, if that sort of Developed Swim-esque crude humor is your jam, then "Impale Team Kill" is a gory adept time, super macho to the indicate of hilarious parody.

"Swarm"

Epitome: Netflix

A story of fearfulness, sex, and philosophy on the uttermost frontier, as two post-man scientists study an apparently mindless insectoid race. Tim Miller writes and directs the beginning-ever screen adaptation of the work from renowned Cyberpunk writer Bruce Sterling.

Dearest: The two scientists finish up bonding and take some trippy sex whilst in the hive of the swarm. Nix says romance like making honey in warm conflicting fluid!

Decease: Let'south just say some fates are worse than death.

Robots: The swarm is substantially organic machines. The 2 scientists hope to report them in social club to bring their efficiency to humanity.

Does it piece of work? The plot is strong, the sort of short story y'all read in an anthology that haunts yous for some fourth dimension subsequently. (Since Miller, as this series' producer, hand-picks sci-fi curt stories for the animators, that'due south entirely accurate.) Seeing the alien globe slowly shift from wondrous to routine to sinister is absolutely captivating.

"Mason'southward Rats"

Image: Netflix

You know yous have a pest-control problem when they start to shoot back. The ratpocalypse comes to Scotland, every bit a grumpy farmer takes drastic steps to deal with an invasion of hyper-evolved rodents. Exterminator: Judgment Day.

Love: Well, the rats certainly intendance for one another. Mason is more concerned about existence able to love his befouled in peace, though.

Expiry: The rat death count is high, and their deaths are brutal. Toward the cease, at that place is a formidable mount of rat corpses. As well, Mason'southward cat gets caught up in the casualties. Printing F for Susan.

Robots: A variety of rat-killing robots that an extermination company sells to Mason. They are highly efficient murder machines.

Does it work? This ane is a good time. Sure, rats evolved to have basic warfare capabilities and must battle some loftier-powered exterminator robots for their liberty. Why the hell not?

"In Vaulted Halls Entombed"

Paradigm: Netflix

Deep in the mountains of Afghanistan, a squad of Special Forces soldiers has the dangerous job of recovering a hostage held past terrorists. But the existent evil they must confront is an elder god of ancient and terrifying power.

Dearest: Some other situation where the beloved is more than an unspoken bond between teammates. Not a whole lotta dearest this season.

Death: Some other situation where a team of soldiers uncovers the gory bodies of those who came before them, then slowly get picked off in increasingly gruesome ways.

Robots: Not really. More like eldritch horrors unleashed past elder gods, unseen past modern humanity.

Does information technology work? The parallels betwixt "In Vaulted Halls Entombed" and "Kill Team Kill" are pretty clear: Both involve soldiers reckoning with fierce forces beyond their understanding, which results in some gnarly deaths. "In Vaulted Halls Entombed" takes a more serious approach, however, leaning more into horror instead of sense of humour. Both of the shorts work, only which one you prefer actually depends on whether you similar your "mature, messed-up" stories crude or creepy.

"Jibaro"

Image: Netflix

Fantasy and greed combine in this re-imagining of the traditional folktale of a siren whose vocal lures men to their doom. But her sorcery fails to work on the deafened knight, Jibaro, and the Golden Woman becomes fascinated by him. Thus begins a deadly dance of two predators.

Honey: Jibaro and the Golden Woman are caught in a strange, magnetic desire. Not quite dear so much as infatuation.

Decease: The Golden Woman manages to slay Jibaro'due south entire squadron in pretty gruesome manners. As for the fate of these two heroes? Let's simply say their allure is certainly toxic.

Robots: Nope! This one opts for more than of a historical fantasy-tinged world versus a futuristic sci-fi setting. This season seems to be lacking in robots, too.

Does information technology piece of work? This is the only curt in season 3 of Love, Expiry & Robots that wasn't based on a preexisting brusque story. Information technology also contains basically no dialogue. Jibaro's hearing squadron is killed off immediately, and he and the Golden Woman don't exchange many words. It's gorgeous visual chaos, even if some of that becomes so frenzied that it's difficult to keep runway of information technology all.

Dearest, Death & Robots: Volume three is out on Netflix now.

Source: https://www.polygon.com/23132611/love-death-robots-season-3-review-shorts-breakdown

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